A discussion reviewing the concepts covered during term one, and recapping any topics identified as needing additional coverage through both class review and grading of Assessment I.

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Free

Event

Reconforming

Tue, 11 Aug

Discusses the need and process of reconforming when working with picture that isn’t ‘locked’ and has been updated, the methods used and how to address the issues that can be caused, with demonstrations of manual recutting and automated reconforming along with adapting the process for international cut down versions.

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Free

Event

Sound Effects Editing

Tue, 11 Aug

A return and in-depth practical workshop for sound effects editing, covering advanced editing and processing techniques, use of atmospheres and constructing an immersive sound field. Discusses layering sounds versus sequencing, sound effects management and mix preparation.

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Free

Event

Music Editing

Tue, 11 Aug

A discussion of the world of music editing to picture, the role and responsibilities of the Music Editor, and interaction with Composers and Music Supervisors. Covers temp scores, cue sheets, licensing considerations and common editorial techniques used when cutting music to picture.

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Free

Event

Introduction to Immersive Audio

Tue, 11 Aug

An introduction to the world of 3D immersive audio, discussing the technology, its usage applications, and considerations, specifically covering object based audio and Dolby Atmos.

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Free

Event

Assessment II

Tue, 11 Aug

The second graded practical assessment of the course covering the majority of the topics covered in the second term, assessing students practical application and skillset for session management, dialogue editing, denoising, and recording Foley.

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Free

Event

Term II Review

Tue, 11 Aug

A discussion reviewing the concepts covered during term two, and recapping any topics identified as needing additional coverage through both class review and grading of Assessment II.

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Free

Event

Mixing Formats and Calibration

Tue, 11 Aug

An in-depth discussion of typical distribution formats, the history of cinema sound and surround, typical room requirements for mixing to picture, and the importance of calibration and monitoring at prescribed reference levels.

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